Latino Review snapped the poster for Guy Ritchie's take on Sherlock Holmes starring Robert Downey Jr as Holmes and Jude Law as Watson. It was at the ShoWest in Vegas. I really like the look of the poster but still don't feel that it looks like Holmes.
Alex Cox (he went to my school) has finished the shoot for Repo Chick, his sequel to the excellent Repo Man. It started filming last December. He mentioned the wrap on his blog (well worth a read):The REPO CHICK shoot is done. We wrapped half a day behind - actually half a day ahead, since, having lost a day due to our robbery we made up half a day. We never managed a 13-page day, but there were at least a couple of eleven pagers.I can't wait to see some of this. Street Pete and everyone else, what do you reckon? Will it be worth the wait?
Having shot RC this way, and SEARCHERS 2.0 likewise, I wonder how it would be possible to shoot a picture the old way? An independent film averages 3 pages a day; a 'real' movie maybe a page. How do those involved deal with the crushing boredom element? Whenever we had a brief break in the RC shoot I remembered what it was like making REPO MAN: wait for a long time, shoot a little bit, then wait again, listening to the Teamsters telling stories about guns and dangerous situations, or the Executive Producer sharing his raft of insights, or the producers getting on my case for not going fast enough... No wonder wanker actors like Christian Bale lose it and beat up on the cameraman. They are bored to the extent of insanity.
The microfeature is the way to go! The London Film Council stymied the London microfeature project for a reason; while the Pool's bureaucratic oiks were terror-stricken at the prospect of an eight-film microfeature project. By going fast, and using the same resources, microfeatures eschew idle hanging around and replace it with real work, which must be done, pronto. They are also empowering, and apt to blossom out of control.
REPO CHICK couldn't have happened without big pictures, of course. Our line producers, our DP, our gaffer, our grips, our designers, our hair and makeup artists, all need to make a living. They do so by working on monster, unknowably-profitable studio films. And yet the Studio Cartel claims it's about to go belly-up, and seeks a $25 billion hand-out from the White House (they'll get it, eventually. But it won't go to make films - any more than the Big Bank Bailout went to endangered mortgage-holders. Like the Rockefellers and the DuPonts, the Studio Cartel believe in socialism for the rich!).
I am so grateful to our crew, cast, and production people, all of whom survive on 'real' pictures (or by showing up at Home Depot early in the morning) so as to work on films like REPO CHICK for a dollar a day.
But just imagine... a world without socialism for the rich, and without studios. A world without Studio Cartel Distribution. A world in which films are shot in two or three weeks, instead of three or four months. A world in which - instead of working on two films, or maybe three, over the course of a year - we work on twenty or thirty features, all costing $200K or thereabouts.
Most would be bad, some would be good, one or two might be exceptional. There would be an excess of horror films: the first refuge of the mediocre filmmaker. But the constant production might provide a working wage. It would create jobs, and huge potential for originality and creativity. And it would certainly make a change from the superhero- and talking-animal-themed garbage the Studio Cartel foists on us.
'THE GRAVES' is the feature film directorial debut of Brian Pulido (creator of comics "Lady Death" & "Evil Ernie"), starring acclaimed horror genre stars Clare Grant (Masters of Horror "Valerie Under the Stairs"), Jillian Murray (The Fun Park), Bill Moseley (Texas Chainsaw Massacre II, House of 1,000 Corpses, The Devil's Rejects), Amanda Wyss (A Nightmare on Elm St., Dexter), D. Randall Blythe (singer, Lamb of God), Patti Tindall (Death of a Ghost Hunter) and Tony Todd (Final Destination I & II, the 'Candyman' series, NBC's "Chuck") as the Reverend Stockton.Present day. Arizona. Megan and Abby Graves are inseparable sisters that couldn’t be less alike. Megan is a self-assured, naturally attractive, ass kicker. Abby is a cute, caustic, Hot Topic Goth who’s afraid of her own shadow.Check out the official site.
They do share a few things in common: a life-long obsession with comics, pop culture and rock ‘n’ roll. Simply put, they are beautiful geeks.
In a few days, Megan will start a new job in New York. To send her off in style, the Graves sisters go on a wild, pop culture bender that includes a trip to uncharted Arizona in search of a kitchy roadside attraction.
Instead, they’re lured to Skull City Mine, a weather-beaten, abandoned mine town that harbors terrifying secrets. It appears to be haunted -- Its twisted caretakers are murderous -- Victim’s souls are ripped right out of their bodies – and that is only the beginning…
When Megan suffers a mortal wound, Abby must save her sister, but to do so, she must confront her fears and unlock the mystery of Skull City alone.
Can Abby survive Skull City’s threats? Can she rescue Megan or are they doomed to a fate much worse than death?
Leave a comment on this post below.RopeofSilicon user “Friends of Eddie” last sent in scans from Cahiers du Cinéma’s January 2009 edition with a diary written by Argentinean filmmaker Celine Murga based on her experiences on the set of Martin Scorsese’s Shutter Island and today he returns with a piece of teaser art from the film scanned out of the Berliner Zeitung newspaper as part of a story about TMG/Concorde, the film’s distributor.
Since it is a scan you can slightly see some of the words bleeding through on the lighter areas but for the most part it is a top quality image, but I can’t help get the feeling it is still an early piece of artwork since the font used to write “Whatever happened to patient 67?” on the wall is just a generic font and isn’t exactly up to final art quality.
Shutter Island is currently due out on October 2 and stars Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Max von Sydow, Patricia Clarkson, Emily Mortimer and Jackie Earle Haley. The official site is also live, but merely with placeholder information.
"Private source. Depp with, I believe, Buck Holland..his longtime security man."Based on Hunter S. Thompson's novel of the same name, The Rum Diary follows Depp as Paul Kemp, a divorced alcoholic and struggling novelist who decides to kick around in San Juan until his ship comes in, working as a journalist for a newspaper that's on its last legs, drinking gallons of rum and experimenting with LSD. With his new friend Bob Sala by his side, Kemp becomes entangled in a corrupt hotel development scheme with a slick PR consultant named Sanderson. Amber Heard, Aaron Eckhart, Richard Jenkins, Michael Rispoli, and Giovani Ribisi also star in this.
I'm not sure if this is a good poster design or really, really bad. I don't think they've got any of the posters quite right for this new film.
