Exclusive interviews: Duncan Jones (Director of Moon) - Andrew Barker (Director of Straw Man) - Tony Grisoni (Screen Writer of Red Riding Trilogy, Fear and Loathing in Las Vegas) - Michael Marshall Smith (author of Spares, Only Forward, The Straw Men etc) - Alejandro Adams (Director of Canary) - Ryan Denmark (Director of Romeo & Juliet vs The Living Dead) - Neal Asher (author of the Cormac series, The Skinner etc) - Marc Robert & Will Stotler (Able) - Kenny Carpenter (Director of Salvaging Outer Space)

Press Conference - Public Enemies - Johnny Depp, Michael Mann, Marion Cotillard

NEWS - REVIEWS - TRAILERS - POSTERS - INTERVIEWS - FORUM - CONTACT


FEATURED REVIEWS - Public Enemies - Transformers: Revenge of the Fallen - Moon - The Hurt Locker

LFF is on Facebook - Twitter - Friend Feed

Thursday, 23 April 2009

Gonzo: The Life and Work of Dr. Hunter S. Thompson, 2008 - Movie Review

Director: Alex Gibney
Starring: Hunter S. Thompson, Johnny Depp
Running Time:
Score: 8 / 10

This review by Chris Knipp

After Enron: The Smartest Guys in the Room, Taxi to the Dark Side, and this vivid, significant depiction of the Sixties and Seventies superstar journalist Hunter Thompson, Alex Gibney has emerged as clearly one of the best documentary filmmakers we've got and also one of the most prolific.

Gibney tells a very smart, very verbal, very funny but also intensely significant story here. Some of the people who speak most highly of Thompson on camera are Billy Carter, William McGovern, and longtime Republican presidential adviser Pat Buchanan,as well as writer Tom Woolf and Thompson's editors at Rolling Stone, for which he did his best periodical pieces, the notable ones turned into books. More intimate details--but the man was such a perpetual performer that public and private are hard to separate--come from Thompson's first and second wives. And the English artist Ralph Steadman, who illustrated the writing, has much to say, as do plenty of others. When Steadman first met Thompson he fed the Brit Psilocybin and he was never the same. Steadman became an invaluable cohort and collaborator and his wild drawings provide a perfect visual counterpart to Thompson's written words on screen.

Thompson was a notorious wild man from early on. "I wouldn't recommend sex, drugs or insanity for everyone, but they've always worked for me," he said. Prodigious in his consumption of drugs and alcohol, he was witness to some of the great events of his time, and got deeply involved in politics and opposition to the Vietnam war and of course the counterculture. Lean, athletic, flashily dressed, with trademark balding pate, big sunglasses, cigarette holder and drink in hand, Thompson was a demon at the IBM Selectric, gleefully spinning out brilliant pieces nobody else could have written, a master of outrage and wit.

Fueled by craziness, substances, and his own tongue-in-cheek joie de vivre, he devised his own outrageous style of writing in which cold clear fact was blended with wild invention and the adjectives and metaphors flew like hornets around a honey pot. Others too partook of the kind of journalism he practiced. The times--the flamboyant and boisterous and revolutionary Sixties and early Seventies-- seemed to call for a new more violent, more committed language in journalism. Norman Mailer also wrote about the democratic convention in Chicago in 1968 and on hand for Esquire were the likes of Jean Genet and William Burroughs. There is something of Burroughs in Thompson, the drugs and the outrage and a way of seeing convention as conspiracy. One of Thompson's famous quotes gives a hint of the link: "America... just a nation of two hundred million used car salesmen with all the money we need to buy guns and no qualms about killing anybody else in the world who tries to make us uncomfortable." This was the moment when the distinction between fiction and non-fiction blurred: Tom Wolfe (The Electric Kool-Aid Acid Test, which used raw material from the more adventurous Thompson), Thompson's act of "embedded journalism" as Wolfe calls it, Hell's Angels), Truman Capote's murder story In Cold Blood done for The New Yorker, were all variations on the idea of the "non-fiction novel." Mailer had done a heroically personal and novelistic account of the 1967 March on the Pentagon, The Armies of the Night. The film might do a bit more to put Thompson in all this context, but it's clearly implied. He called his wild style "gonzo" journalism.

Thompson also wrote about Las Vegas as the American dream and about Nixon, whom he loathed. He also used a tape recorder a lot. This provides great material for the film. So does the Terry Gilliam film version of Fear and Loathing in Las Vegas; and Johnny Depp, who played Thompson in the film and became a great fan and friend, reads salient passages sitting in front of a well-stocked bar. Depp paid for the spectacular monument/funeral for the writer that Thompson had--on film--planned out long before, in which his ashes are fired into the Colorado hills. Ralph Steadman did the sketches. This is shown at the end of the film and provides a lovely son et lumière finale.

Thompson's innate violence may explain how he could have blended in so well for a while with the Hell's Angels. He kept at least twenty firearms on hand in his house, all loaded, his first wife reports. He always planned to end his life with suicide and he shot himself. He did it on a nice day in February almost as a family event, with his son, daughter-in-law and grandson at the house and on the phone with his wife, a shot to the head, at the age of 68, not an act of depression but the completion of a careful plan. It was over. And he had been here to see George W. Bush and predict the decline and fall of the American empire. A late collection of short pieces is entitled Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness.

His dissipation took its toll and so did fame. He fell into playing a self-parodying avatar of himself and his writing deteriorated after the later Seventies, so he had about ten good years and about twenty not-so-good ones. Some have dwelt on his decline; Gonzo doesn't. His writing faltered as early as 1974 when he went to Zaire with Steadman to cover the Foreman-Ali "Rumble in the Jungle" and he got drunk at the pool during the fight and never finished the story. Given how bright he burned and how hard he lived, it was inevitable that the man would burn out early And writing did not by any means fizzle out even into the Nineties. There is an immense wealth of spinoffs on film; Gibney had rich, rich material to work with here.

The best that could happen is that this beautifully edited and greatly entertaining film makes a host of new converts to the writing.

Leave a comment on this post below.

HOME

28 comments:

pamela fruendt said...

great review. another hst film worth noting..."buy the ticket, take the ride" 2006.

Anonymous said...

ambien order ambien zolpidem side effects - ambien generic price walgreens

Anonymous said...

cheap xanax online buy xanax online no prescription needed - xanax withdrawal kidney pain

Anonymous said...

buy lorazepam ativan not working - ativan reviews

Anonymous said...

buy diazepam diazepam dosage for dogs - diazepam dosage equine

Anonymous said...

buy zolpidem side effects of zolpidem tartrate - what is zolpidem tartrate 5mg

Anonymous said...

buy xanax online xanax schedule 1 drug - xanax withdrawal after 3 weeks

Anonymous said...

buy ativan ativan addiction mayo clinic - ativan vs xanax fear flying

Anonymous said...

buy zolpidem online buy zolpidem online overnight - zolpidem tartrate sublingual

Anonymous said...

buy xanax online generic xanax white pill - will xanax and alcohol kill you

Anonymous said...

diazepam 5mg valium schedule 4 drug - buy valium online no prescription

Anonymous said...

buy ativan online ativan dosage high - buy lorazepam online

Anonymous said...

cheap generic ativan ativan trazodone overdose - buy ativan online no prescription needed

Anonymous said...

buy diazepam buy valium online usa - diazepam reviews

Anonymous said...

cheap xanax buy xanax valium online - what does a 1mg alprazolam look like

Anonymous said...

discount ativan buy generic lorazepam online - dosage of ativan vs xanax

Anonymous said...

buy diazepam diazepam dosage pain - diazepam tablets online

Anonymous said...

ativan online negative side effects ativan - known side effects ativan

Anonymous said...

soma muscle carisoprodol common side effects - carisoprodol recommended dosage

Anonymous said...

soma carisoprodol buy soma online $0.45 each - soma medication ingredients

Anonymous said...

buy valium online valium pharmacy savee - good bad effects valium

Anonymous said...

buy valium online no prescription valium anxiety dose - cheap valium for sale uk

Anonymous said...

ambien cheap generic ambien good - canada pharmacy online ambien

Anonymous said...

buy valium online buy valium canada - 2.5 mg valium side effects

Anonymous said...

buy ambien online ambien dosage mayo clinic - ambien joint pain

Anonymous said...

where to buy valium online buy generic valium online no prescription - valium for sale in philippines

Anonymous said...

ambien online no prescription 1 ambien and alcohol - ambien cr generic anchen

Anonymous said...

buy valium online valium 0 3 - do valium pills do you