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Showing posts with label Sam Rockwell. Show all posts
Showing posts with label Sam Rockwell. Show all posts

Tuesday, 28 July 2009

Iron Man 2 won't end on a cliffhanger for the Avengers to resolve

At the moment we know that War Machine (check out the screenshot from the Iron Man 2 footage) will make a significant appearance, Black Widow could be good or evil, and Sam Rockwell will be reinventing the character of Justin Hammer. Director Jon Favreau weighed in as well at Comic-Con with his own details on the film, stating that the sequel won't leave an open-ended cliffhanger for Marvel's 2012 "Avengers" movie. We also know what heroes to expect in the Avengers film.

"We're working towards 'Avengers,' but by the same token we want to resolve this film and make ['Iron Man 2'] play on its own," Favreau told MTV News. "It's not a serial. It's a self-contained film."

Since Marvel Studios began planted movie crossover appearances in "The Incredible Hulk" and the first "Iron Man," continuity buffs have had a great deal to speculate about, given Marvel's ambitious calendar of releases, including "Thor" and "Captain America: The First Avenger." Favreau stressed that while the movies would all be working off of each other, his focus remains on making his film work on its own.

"It's not building towards a cliffhanger that's the next movie," he explained. "It's about wrapping up our story and making it a complete tale."

What about Iron Man 3? "There’s an Iron Man 3. Here’s how I know. When they make the option deals, they include Iron Man 3. So I know they’re planning on 3. Whether that would be before or after Avengers, they’ve announced that Avengers is next but they pushed back The Avengers once which I thought was encouraging."

As for whether, like many sequels, there will be too many villains in Iron Man 2 Favreau had this to say, "Well, we had to walk a fine line. I think you’re good for number two. Two seems to be the charm because you got your origin story out of the way. You can add some complexity to it and you have room, because you don’t have to tell the origin story, to introduce the characters. When you get to number three, you can get hidebound. You’re like a beached whale sometimes because you have so much, you collapse under the weight of the complexity that you’ve created. We looked at the successful sequels that we liked. I’m not talking about Two Towers or films that are chapters based on novels or Harry Potter. I’m talking about true sequels. The two that we liked the most, this was me and Kevin Feige talking, were Wrath of Kahn and Empire Strikes Back. Those were the two that we said, “They did it right. Now let’s look at what they did right.” There were so many others that didn’t feel as good as the first but for those two, what we found was that it really gave room to explore the characters and the villain plotlines were very simple but the stakes were very high. The less you get bogged down in complexity, the more you could really let the audience enjoy what they really like which are the relationships. Two years later, I know I’m a pretty savvy audience member, I don’t remember the dynamics and the subtleties of it. It’s not as precious to me as it is to the filmmakers. So it’s putting yourself in the seat of the audience and saying, “What do they want to see more but you want to go bigger.” You go from Alien to Aliens and then you want to show them the characters that they’ve invested in and how they’ve changed and change those dynamics by introducing new characters. Don’t just add to the action but throw the relationship into a little bit of a curve ball."

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Sunday, 26 July 2009

Iron Man 2 Comic Con Panel


San Diego Comic Con panel for Iron Man 2, which features Q&A with Jon Favreau, Robert Downey Jr., Don Cheadle, Sam Rockwell, and Scarlett Johansson.

Check out some photos from the exclusive Iron Man 2 footage that was shown.



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UPDATED with Pics - Iron Man 2 - War Machine has been seen at Comic Con



Jon Favreau premiered a look at for Iron Man 2 during the San Diego Comic Con. /film had the following description and it sounds brilliant.

Tony Stark is eating a donut while laying in the hole of the huge donut on the roof of Randy’s Donuts. Samuel L Jackson as Nick Fury yells up “Sir, I’m gonna have to ask you to exit the donut!”

Cut to: Stark and Fury inside the restaurant eating and chatting. Stark asks if Fury was going to ask him to join his group again, to which Nick responds “I remember, you do everything yourself. How is that working out for you?” Stark asks Fury if he is supossed to look at his working eye or the eye patch.

Cut to: A government court hearing, where Tony is talking with Pepper Potts a few rows behind him. Senator Stern Asks Tony if he posseses a weapon, the iron man weapon. Stark says that its not a weapon, and that technically it’s a high tech prosthesis.

“Its a weapon Mr Stark!

“If your priority was to protect…”

“Well you can forget it!”

“I am Iron Man, the suit and I am one. You cant have it!”

The Senator calls Rhodey to the stand. Rhodey walks by Stark and tells him he’ll deal with it.

The Senator asks Stark what his point is and Stark responds that his point is “You’re welcome, I’m your nuclear deterrent,” … “I’ve kept the world safe, what more do you want? I tried to play ball with these ass clowns!” The Senator then says “F— You Mr. Stark!”

A montage begins with shots of newspapers and magazines with Stark on the cover. Voice over in a Russian accent “You come from a family of thieves and butchers…” Shots of Rourke putting together his whiplash suit. A bunch of random shots, including a bunch of girls dancing in front of a display with the American flag, and Scarlett Johansson as Black Widow, kicking ass. Rourke arrives at the race car track in his Whiplash suit. He activates it and the wires light up with electricity as he whips them around. Stark is bloody, in his racing suit, down on the concrete. We see a close-up of Rourke laughing.

Cut to: Iron Man flying through the night air, dodging missiles which explode behind him, as he blasts towards Earth.

The Iron Man 2 logo appears on the screen, along with the music.

Then we get an extra sequence. Rhodey in a air plane hanger. Justin Hammer walks over and asks what this is about and Rhodey says it’s classified. Hammer looks down at a suit, which appears to be Stark’s old Mark II armor. “Is that what I think it is?” “What can you do for us?” Hammer shows Rhodey a bunch of different weaponry. Rhodey tells Hammer “I think i’ll take it.” “Which one?” “All of it.” Cut to: A shot of War Machine blasting off his guns.
Teaser Trailer had the pics

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Monday, 20 July 2009

Iron Man 2 has finished filming

Good news for fans of old shellhead. Production on Iron Man 2’s principal photography has wrapped on Saturday, after 72 days of shooting.

Marvel Studios producer Kevin Feige issued a statement to Marvel.com:
Shooting ‘Iron Man 2′ was a fantastic experience and we couldn’t be happier. Although there were many challenges in making this film, having Jon Favreau, Robert Downey, Gwyneth Paltrow and almost the entire crew from the first film back on board, allowed us to hit the ground running as everyone was instantly familiar with each other from day one. This dynamic allowed us to get done what we needed on a day to day basis and was a big factor in why we finished slightly ahead of schedule. Scarlett Johansson, Mickey Rourke, Sam Rockwell and especially Don Cheadle all stepped right in and meshed well with our returning cast. From our experience on the first film, we learned what works and doesn’t work in terms of shooting practical versus CGI especially with the Iron Man suit. This enabled us to be much more efficient in many departments, making it a much smoother experience.” … “The next step for us is beginning the post production process which is extensive and filled with its own set of challenges. It is also a very exciting time because you get to see all the hard work from the hundreds of cast and crew members begin to come to life.
We’ve only seen a smattering of photos from the shoot so no doubt there will be many more over the next few months. I also wonder what Jon Favreau will unveil at the forthcoming Comic Con this year. Personally, I am still itching to see the War Machine armour that is meant to be in the sequel.

What are you looking forward to seeing in Iron Man 2? Do you think there will be a glimpse of the mysterious Mandarin? Maybe Sam Rockwell’s Justin Hammer is working for him?

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Saturday, 18 July 2009

Iron Man 2 - First look at Don Cheadle as Rhodey and Sam Rockwell as Justin Hammer

EW have debuted some new photos from Iron Man 2. On the left you can see Don Cheadle, who replaced Terrance Howard as Col. James ‘Rhodey’ Rhodes. Behind him is Sam Rockwell as weapons manufacturer Justin Hammer.

The photo on the right shows director Jon Favreau, who also plays Happy Hogan, and Robert Downey Jr watching some playback in a boxing ring.

Source: /film

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Monday, 22 June 2009

Moon, 2009 - Movie Review

Director: Duncan Jones
Starring: Sam Rockwell, Kevin Spacey
Running Time: 97 minutes

Another great review by Richard Bodsworth who is having a great time at the Edinburgh Film Festival.

Check out my interview with the director, Duncan Jones.


Transformers and Terminator Salvation are just two of the multi million pound budgeted blockbusters released this summer. We all love a good sci-fi film, but what the majority of the current crop neglect is a fundamental rule of filmmaking, a proper story with interesting and engaging characters. It is a well known fact that Michael Bay is more interested in blowing shit up rather than developing a character or having an intelligent plot. With his debut feature, MOON, Duncan Jones shows that a big budget isn't everything when creating a sharp, smart and frankly brilliant film.

With the Earth's immediate energy crisis, corporation Lunar have began extracting helium 3 from the Moon as a viable alternative. Rockwell plays Sam Bell, a lone astronaut stationed at the lunar base with only a talking computer, Gerty (Spacey) for company. His job is to oversee the helium 3 extractions. With only two weeks left of his three year tour, things take a disturbing turn when Sam finds someone else on the Moon. Is he hallucinating, or are the corporation trying to replace him? I don't really want to go any deeper into plot details in fear of giving anything away, but what ensures is a taught psychological battle and the one man Rockwell show.

At first glance you could easily mistake Moon for a Hollywood picture. It boasts some great visual effects and features two very well know actors in Rockwell and Spacey. I was shocked to discover the film is in fact an independent British film, with a reported budget of less than 5 million dollars, and that most effects were completed using models. The set built lunar surface is a beautifully bleak landscape, its desolation helps enforce the fact Sam is all alone in lunar base Sarang.

The film pays homage to some of the classic sci-fi films of the late 60's and 70's, at points you could be forgiven for thinking you are in the Nostromo. The environmental theme parallels with Silent Running and most people will quickly draw a 2001 comparison with the talking computer, Gerty. Jones direction however, stops the film from falling into a simple retro rehash. His razor sharp direction keeps the film fresh and a with the help of Clint Mansell's wonderful score, creates a eerily claustrophobic and ultimately uneasy atmosphere. Mansell is always an underrated commodity, but his scores often add that extra something as seen in his collaborations with Darren Aronofsky.

Sam Rockwell is outstanding as the astronaut slowly losing his sanity. It must be terribly difficult to be the only person on show, he is rarely off screen, but his intensity holds the audience like super glue and it is impossible to tear your eyes away. Going from bored worker, to emotional husband and father to mentally tortured, Rockwell delivers perhaps his greatest leading role. His performances in The Green Mile and The Assassination Of Jesse James amongst others have always been a personal highlight for me. Throughout all the tension he manages to give the film some breathing room with lightly comical interactions with Gerty.

For the whole 97 minutes there is not a boring moment and is paced just right. Although the plot is tight, there are points where you think you have the whole thing sussed but somehow it manages to make you doubt yourself. This is the thing I enjoyed and admired the most.

The lack of knowledge behind the Lunar corporation adds to the mystery, and if Jones continues with future films based in the Moon realm, there is vast amounts to build on. Moon is the perfect launch platform into a great sci-fi trilogy which, at the moment, the genre sorely needs. My only hope is that Jones sticks to formula that worked so well for him here, and doesn't jeopardise his outstanding work when offered a bigger budget. I implore everyone to see this amazing piece of British cinema, you will not be disappointed.

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Friday, 12 June 2009

Moon - Video interview with Duncan Jones

Set in the near future, earth's energy needs have been solved by extracting Helium Three from moon rocks. This is the job of one man, Sam Bell (the always fantastic Sam Rockwell), serving a three year contract running the extraction machines. His only company is a HAL-like computer, Gerty (voiced by Kevin Spacey). Sam is a mere two weeks from going home when an accident warps his reality. He wakes up from the accident to find a clone of himself on the station. This discovery leads Sam to question his sanity, job, and the very nature of his existence.

Jones squeezes every penny out of his five million dollar budget. Daringly original, the plot is matched by superb visual effects, musical score, and performance from Sam Rockwell.


Check out my interview with the man himself.

Source: MovieWeb

Discuss in the forum or leave a comment below.

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Wednesday, 10 June 2009

Here is Mickey Rourke as Whiplash

USA Today had this photo of Rourke as Ivan Vanko aka the villain Whiplash in Iron Man 2. His "outfit" consists of a power pack on his chest that looks similar to the one used by Tony Stark. "The technologies are definitely related, and that's part of the core theme of the film," explains director Jon Favreau. The chest piece powers the two whips attached to the arms.

It looks as if this was shot at the set that was recently built for the Monaco Historic Grand Prix. The look is not quite what I was expecting, but it will more than likely follow the set up from the first Iron Man film with this being Whiplash's Mark 1 suit and then evolve through different versions as the film progresses and businessman, Justin Hammer (Sam Rockwell) gets involved.

What are your thoughts on the photo?

Discuss in the forum or leave a comment below.

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Tuesday, 2 June 2009

Robin's Big Date - Sam Rockwell as Batman

One evening at a restaurant, Robin (played by Justin Long) works up the nerve to ask the girl of his dreams on a date. And then Batman (played by Sam Rockwell) shows up...




I've put a couple of versions of it here as they can be a bit jerky. You can download the full thing here.

Discuss in the forum or leave a comment below.

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Moon - First 90 seconds of Duncan Jones' sci-fi feature debut

To get you ready for 12th June when Moon is released, here is the first minute and a half. It is looking very good.

Be sure to check out my interview with the film's director, Duncan Jones.

Discuss in the forum or leave a comment below.

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Tuesday, 19 May 2009

Exclusive Interview - Duncan Jones. Director of Moon.

Moon is the cool looking science fiction film starring Sam Rockwell as a lone lunar miner who's time on Earth's satellite is almost over. During his last few days on the Moon things begin to get a little weird. The film is produced by Liberty Films and is the feature debut of director Duncan Jones.

I recently got in touch with Duncan to ask him a few questions about the film and himself. He was kind enough to take the time to answer them and provide me with the photos in this post.

He has some good advice for new filmmakers and it is always good to speak to a fellow computer game and comic book fan. I am itching to know what games and comics he wants to adapt, but he won't say any more!

Without further ado here is the interview.

How did you get into filmmaking?

I kind of started filmmaking to begin with when I was a kid, got distracted during puberty and slowly made my way back after a long diversion into academia. I had been in grad school for a few years, was miserable and got the chance to work on a TV show Tony Scott was directing. He was incredibly cool and supportive and told me to get off my ass, go back to London and work my way into commercials as a route into films. I took his advice and about ten years later... made my first feature film!

Can you tell us a little more about your new film Moon?

Well, its an indie sci-fi film, but we were painstaking in the way we put it together to make sure it looked and felt like a much bigger film. For that reason alone, I am incredibly proud of the result, but the real coup was getting Sam Rockwell to not only be in the film, but to give what he himself admits is one of his best ever acting performances. Its smart sci-fi, but it's also funny, sad, hopeful and very human. I think there's a lot of goodness for all sorts of people in this film.
How did you get Sam Rockwell involved? If he had been unable to do it who else would you have liked for the part?

Sam and I met up about 3 years ago to discuss another project. That one didn't work out, but we got on really well, and I knew I wanted him in my first feature no matter what, so I decided I would write something for him. It took about 9 months to get the script together, and about 3 more for him to agree to do it, but frankly, if he hadn't agreed, I don't know who else could have. It was very specific to his talents. Characters name was "Sam!"
Was Moon always planned to be a small 2000AD Future Shocks story or was it scaled down due to the budget?

Oh God yes! It was designed to be a low budget, "calling-card" first feature film, with a very heavy list of priorities and requirements as to what we hoped to achieve. It was like a military objective; make this film for this much money using these resources, at this time and knock the studios socks off so that NEXT time I get to make a REAL film! Fortunately everything went so well, we ended up with a film we could be proud of in its own right.
Would you do anything differently on your next feature?

Of course. This film was designed to succeed under incredibly adverse conditions; Not enough time, money, pre-production... all sorts. It worked out in the end, but we really gave ourselves the mother of all challenges making it. I'll probably scoff at this in years to come, but I wouldn't be at all surprised if in the future, I remember this as one of the most challenging films I ever had to make.

What is your favourite genre? Will you be sticking to science-fiction?

The next film will be sci-fi, but that is in no way the only kind of film I want to make. I would love to do some other genres. I was a little bummed to hear about Inglorious Basterds when Tarantino announced it, as I have always wanted to do a WW2 gang on a mission movie, but things are cyclical.. I may still get a chance. And frankly, I am just excited to see what he has made! Westerns, deffo... and as you mentioned 2000AD, there are certain stories and characters from that holy book I have wanted to make since I was a kid.
Your favourite piece of science-fiction technology?

The automated sentry gun in Aliens was the coolest thing I had ever seen, when that film came out... Deckard's photo analysis computer from Blade Runner was right up there too. I know its not a film, but I NEVER felt like anyone captured cyberspace as I imagined it in William Giobson's Neuromancer. Robocop's ED-209... Winner!

Who are your favourite filmmakers?

Too many to mention.. its like asking "what's your favorite food flavor?" Im inspired, in awe, shocked, angered, upset and more by all sorts of films, and even if I dont like a film, it informs and hopefully refines what I want to do in my own work. I admire visualists like Ridley Scott, David Fincher, Tim Burton and Luc Besson. I love story tellers like Akira Kurosawa, Stanley Kubrick, Michael Mann, I love mavericks like Robert Altman and Terry Gilliam. Sometimes I get as big a kick out of "bad" films as I do out of well made ones. Its a difficult, possibly impossible question to answer.

If you could have made one film, what would it have been?

If it was a film I admired, I dont think I would want to touch it, as I might break it... if it were crap to begin with, I would rather work on something of my own. Still... I was on "the twitter" the other day, talking about remakes, and did mention that I thought as sacriligious as it might be, I could see myself trying to remake Fritz Lang's "M," given half a chance.

What is your favourite video game of all time and what are you playing at the moment?

Oh! For sheer life changing, defining nerd making moment, it has to be Richard Garriot's Exodus Ultima III on the c-64... I spent SO MUCH TIME drawing out maps one bloody step at a time on graph paper! hahaha... and then there was the Amiga 500. Oh man. Speedball 2: Brutal Deluxe, Dungeon Master, Lemmings, Shadow of the Beast, Neuromancer the game! Lots of great stuff... As for now, been giving WOW a revisit, but its not the game I want to play. Frankly the game I want doesnt exist. I may have to see if I can ever get the clout to have my rough designs for a game turned into something. Call of Duty "World at War" is a beautifully made game on the PC. I have consoles, but I still only really play games on the PC. Im old school that way.


Are there any comic books or video games you would like to adapt for the big screen?

Yes to the first, yes to the second and I'm afraid I couldnt tell you even if I wanted to. ;)

What film do you first remember watching?

Probably Errol Flynn's "The Seahawks" I LOVED that film.. Pirates, heroes, adventures. Think its part of what gave me the desire to do a "guys on a mission" film.

Which actors/actresses, dead or alive, would you like to work with?

Easiest question you have given me! I am SO upset I never got to meet, or work with Oliver Reed. If I had been around earlier, or he had been around later... ahhh.. the films we could have made!

What happened to your Dad's character in David Lynch's Fire Walk With Me? (Duncan's Dad is David Bowie)

No idea.

Have you ever found your Dad's legacy to be a burden?

I do my best to be judged by my own achievements. If what I do is worthwhile, things should go ok. If I suck at my job, I'm sure there will be some schadenfreudian bastards out there happy to slam me twice as hard. Them's the knocks.

What advice can you give to any new filmmakers reading this?

Create a gang. Get together people around you and build a team. There are two things that make films happen 1) a good script and 2) momentum. Having a group of people of various talents wanting to make your project happen is the fastest and best way to create momentum. The script is up to you.

What are you favourite films and what film are most looking forward to seeing this year?

Again, too many to mention... I always go back to Altman's MASH and Ridley Scott's Blade Runner at least once a year. There is a little known sci-fi B-movie called "Blood of Heroes," (also known as "Salute of the Jugger") starring Rutger Hauer and Joan Chenn that puts a smile on my face. It created a vivid, imaginative future world and is, in my opinion, right up there with the original Roller Ball as the best future sport film ever!

If you were going to be killed by any movie villain or monster who or what would it be? What would your last words be?

Michael Ironside in Cronenberg's Scanners... and I wouldn't have a last word, I would just throw him one of those stares that they all use to communicate to the audience they are doing some seriously evil mental shit.


What are you working on next?

Hopefully another sci-fi film! A slightly bigger budget, and a very different feel, as its a city based thriller that takes place in a future Berlin. It's a loving homage and companion piece to Blade Runner, even if the story has nothing in common.

When and where can we see Moon?

Well! Comes out on June 12th in NY and LA, then rolls out across the US week by week. It comes out in the UK on July 17th! the UK release should be pretty widespread from week one... Im so excited and terrified at the same time, I don't really know what to do with myself... I just hope British audiences are proud of what a little British indie film has been able to pull off!

Duncan Jones thanks for your time and good luck with the film.


Check out the official Moon site.

You can also follow Duncan Jones on Twitter.

Discuss in the forum

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Friday, 10 April 2009

UPDATED: Moon - Amazing trailer for Duncan Jones and Sam Rockwell's sci-fi film. NEW POSTER


This looks absolutely superb. Always been a fan of Rockwell and I love a good sci-fi film. Kevin Spacey also stars as the voice of GERTY.

Astronaut Sam Bell (Sam Rockwell) has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his intelligent computer, GERTY, sends back to Earth parcels of Helium 3, a resource that has helped diminish our planet's power problems.

Leave a comment on this post below.

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Friday, 27 March 2009

Sam Rockwell rehearsing for Iron Man 2 at Jon Favreau's place

Director Jon Favreau has been rehearsing with Sam Rockwell, and posted this picture to prove it.

Source: CBR

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Tuesday, 17 March 2009

Frost/Nixon, 2008 - Movie Review

Director: Ron Howard
Starring: Frank Langella, Michael Sheen, Kevin Bacon, Sam Rockwell, Rebecca Hall, Matthew Macfadyen, Oliver Platt, Toby Jones.
Running Time: 122 minutes
Score: 8 / 10

This excellent review is by Sarah Louise Dean.

(Warning: Minor Spoiler Alert)

When reading the cast list for certain films, you might find you doing the same thing I do. I can’t help but make judgments regarding the film’s credibility and its plot, before even the first words have been uttered. Looking at the cast here, you already know it’s top-notch. You see that Ron Howard is the Director, so you know that noone is going to be allowed to drop the ball. You may also have some prior knowledge about the Frost/Nixon interviews which lend the film its central theme. You are aware that David Frost, the celebrated but seemingly lightweight comic/interviewer needs to score a high profile interview to facilitate his way back into the favour at the BBC and in the US. You know all about Watergate and you wonder why Richard Nixon would agree to such an interview. You may know that the film is based on a play, so you imagine it might have that same stilted feel – limited scenes in a few locations, and an emphasis on language over imagery. You might even feel a little disheartened, assuming that this might be a bit worthy and over-intellectualised with its focus on events that occurred when the majority of today’s filmgoers were very young. In fact maybe you’ve nearly talked yourself out of seeing the film, its not contemporary, its not what you’d normally see and it might be, heaven forbid, a bit…..dull.

I say STOP! Give yourself a shake and watch the film because it is an absolute delight. This is one of those films that is filled with the unexpected by opening up a ponderous stage play about a story we all think we know, and giving it the wings that only visual imagery on the big screen (and a bigger budget) can provide. I found Frost/Nixon mesmerising.

I will say this though, you must persevere. Ron Howard understands that we may not fully understand the characters intentions and therefore provides us with a lengthy first section. He wants the viewer to fall into the trap of categorising Nixon as a washed and derided figure and Frost as a frivolous underdog. But then you are introduced to James Reston Jr (played with flair by Sam Rockwell) a passionate anti-Nixon biographer who believes the American public deserve an admission of Nixon’s culpability, and Jack Brennan, (an assured turn by Kevin Bacon) an ex-military right-hand man with a voice of reason who fundamentally believes that certain practices are perfectly necessary for the good of people. Brennan is a deadly serious force in a world filled with unholy camaraderie. The period detail is fantastic, seen in the seventies hotel suite décor, the tailoring and riotously, the hairstyles (particularly Matthew Macfadyen very much enjoying John Birt’s shaggy hair) and highlighted by Nixon’s obsession with Frost’s Italian loafers. The action (no car chases and explosions of course) effortlessly flicks between Australia, London and LA, and the playing out of the four key interviews of foreign policy, domestic policy, personal life and Watergate is interspersed with behind-the-scenes style footage allowing each character to escape from their caricature. It’s a good move, giving this film to Ron Howard, placing delicate material in such a capable pair of American hands.

Of course, this film has flaws. It is neither controversial nor particularly hard-hitting, and female characters are given short shrift. Rebecca Hall is woefully underutilised even though she gets the best lines outside of Nixon. However the screenplay expertly expands on an important moment of history making it both entertaining and far more relevant, than you’d initially conceive. The film asks some important questions. Can the media provide us with something from our politicians that Government can’t provide? Can Trial by Media sometimes be the only option left and the best way forward? Peter Morgan, expanding on his celebrated play, allows Brennan and Reston Jr provide the storyline with its heart, as two characters on either side of the divide but both feeling with absolute certainty that they are in the right and the world should know so.

Plaudits for Frank Langella have naturally come flooding in. Yes he effortlessly deals with the sizeable task of taking someone morally corrupt and giving them some much needed three dimensionality, making him look savvy, unflinching and erudite. But he is ably counterbalanced by Michael Sheen’s brilliant performance. Frost almost makes the most interesting viewing. He is the ultimate playful playboy for the majority of the film but as he suffers Nixon’s punch after verbal punch, his discomfort is tangible. We may all know what was coming, but the film in its denouement, is masterful. You come to care for the playboy and you realise how he has stretched himself to pull off this coup, moments before the limelight passes. And Nixon's late night, inebriated phone call sets up the power struggle of the Watergate discussions with meticulous genius. You want to feel Frost's gratification at extracting a small apology, but more importantly, you see Nixon's own epiphany as to his responsibility for his own downfall, and his realisation as to what he has lost.

To feel sympathy for someone so ravaged by power is testament to the sheer brilliance of Howard's light touch. A wonderful film.

Leave a comment on this post below.

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Saturday, 28 February 2009

Moon - Sam Rockwell has a release date

Collider have the good news that the superb looking Moon will be released on 12th June which, as we all know, is blockbuster season.

Collider also had this interview with Sam Rockwell and director Duncan Jones.

Check out this previous interview with Sam Rockwell, lots of clips from the film and some photos

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Wednesday, 25 February 2009

Good News - Sam Jackson says Nick Fury is in Iron Man 2

Fellow comic book geeks join with me in a collective sigh of relief. Variety have the news that the Nick Fury seen in Iron Man played by Samuel L Jackson will be back.
Samuel L. Jackson has buried the hatchet with Marvel Entertainment, making a deal to play the role of Nick Fury in "Iron Man 2," and potentially many other films.

Jackson's deal is a long-term commitment to play Fury, the leader of the espionage unit the Shield. His deal contains an option to play the character in nine future Marvel superhero films, efforts that are expected to include "Captain America," "Thor," "The Avengers" and "The Shield" as well as potential sequels.

Jackson introduced Fury in the closing moments of "Iron Man," when the character asked Robert Downey Jr.'s Tony Stark to join his group. Fury is a natural to show up in multiple Marvel franchises, as he crosses paths with many Marvel superheroes in the comic books.

Jackson's Marvel future looked murky, after he reportedly expressed his displeasure with the producer-financier's initial offer to reprise his role. Jackson was hardly alone: even though "Iron Man" grossed more than $600 million worldwide, Marvel brass has been very sparing in offers to talent like Mickey Rourke and Sam Rockwell to play villains in the sequel, sources said.

Jackson and his ICM reps have evidently cleared those dealmaking hurdles, and he will take part in the sequel that director Jon Favreau shoots in the spring, with Paramount Pictures distributing in summer 2010.
Now I wonder if they'll be able to sort out getting Mickey Rourke back on board?

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Wednesday, 18 February 2009

Mickey Rourke not in Iron Man 2


I posted a while back the Mickey Rourke was going to be playing a bad guy in Iron Man 2.

Speaking to Vulture he had this to say.

"Right now, we're not doing Iron Man 2," Rourke told us grimly.

He did have some good news, though. Following the widespread disappointment over his canceled appearance at the upcoming WrestleMania 25, Rourke told us he'll still be there, just not in the ring: "We're gonna go in support. Vince McMahon, Roddy Piper, and Rick Flair have been such a part of the movie ... So whatever support I can give back to all those people from WWE, I'm gonna do that."

We only had time for one last question, so we asked who torpedoed Rourke's plans to actually wrestle at WrestleMania, him or his publicist? Since his flack answered for him ("We don't need to talk about that"), and then pulled him away, we're going to assume that it wasn't Rourke.

As far as I am aware Sam Rockwell will still be in Iron Man 2.

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Sunday, 25 January 2009

Moon - Some clips from Sam Rockwell's sci-fi film


Thanks to Daan for pointing these out on Collider.
On 23rd January it was announced that Sony Pictures Classics, the independent arm of Sony, has decided to pick up Moon for distribution. The indie studio is planning to debut Moon in theaters starting in late June.

"I have always hoped for the opportunity to work with Sony Pictures Classics on the distribution of our film, even before arriving at Sundance," director Duncan Jones told Variety.





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Monday, 12 January 2009

The Winning Season - First look at Sam Rockwell's sport comedy

I posted a photo for it a while back, but here is a first look at some footage ofThe Winning Season. The sports comedy stars Sam Rockwell, Emma Roberts and Rob Corddry. Directed by James Strouse.

The Winning Season stars Sam Rockwell as an adult misfit who's brought on to coach the local girl's high school basketball team. It is meant to be a cross between Bad Santa and The Bad News Bears.


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Wednesday, 7 January 2009

UPDATED: Iron Man 2 - Mickey Rourke as Crimson Dynamo or Whiplash. Sam Rockwell as Justin Hammer

Earlier today I posted that he was cast in Stallone's The Expendables now Marvel has just announced that Mickey Rourke is in talks to join Jon Favreau's Iron Man 2. First Showing had the news.

He is in discussions to play a villain described as Tony Stark's Russian alter ego, a heavily tattooed bruiser who is in the arms trade and battles Iron Man in his own nuclear-powered armored suit. Going from what is known about the comic book this certainly sounds like the Crimson Dynamo.

All in all it's not been a bad couple of years for Mr Rourke. The Wrestler is getting rave reviews and he's got some big films lined up.

UPDATE 08/01/09: THR says that Rourke could be playing Whiplash - “Whiplash designed two cybernetically controlled whips that could be converted into nunchakus or vaulting poles. The whips could be spun so fast that they could even blow Spider-Man’s webbing away from Scarlotti preventing him from being ensnared. As both Whiplash and Blacklash, Scarlotti used a necro-lash which could be electrically charged by his gauntlets, released from its handle to deliver a concussion charge, or he could turn up the electric charge to its maximum which caused anything it hit, including Iron Man’s armor, to become brittle. He also used anti-gravity bolas, heavy gravity bolas, and various other devices also of his own design.

Also /film mention that Sam Rockwell is also in talks to play Justin Hammer, a multibillionaire businessman and a rival of industrialist Tony Stark. Hammer first appeared in Iron Man #120 in 1978, and has since remained a frequent adversary of Iron Man. Hammer has a genius-level intellect and has access to various forms of advanced technology designed by his technicians. He finances criminals, asking for fifty percent of the illegal profits in exchange for any bail costs and weaponry and equipment replacement. Hammer also invented a device called the hypersonic scan transmitter, which allowed him to take control of Iron Man’s armor, causing him to kill the Carnelian ambassador, and set an army of superhuman criminals against Iron Man.

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