“It’s more fun to adapt someone else’s work into a movie than my own,” Gaiman said, “because then I can do the horrible violence to it that you might have to do, that I wouldn’t dare do to mine. As an author, it’s hard to go there by going around the back, and cutting this off, and that off, which you have to do so as not to make a ten hour movie.”
Gaiman said they’re still looking for a director, but they have a producer in Hilary Bevin Jones, the granddaughter of EH Jones, now that she’s wrapped on “The Boat That Rocked.”
“We were waiting for her to get free,” Gaiman said, “because she owned the property, and because she’s one of the premiere producers in the U.K.,” having worked on “State of Play” and “The Girl in the Cafe.” “She was a television producer, and she just finished her first feature film, and now that she’s off that, she’s on to ‘Road to En-dor,’ which is going to be very exciting.”
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