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Summit's Erik Feig and Jean Song will oversee for the studio.
The dark thriller, which likely will change titles, takes a less romanticized look at the human-vampire interactions depicted in such recent movies and series as Summit's "Twilight" and HBO's "True Blood."
"It's a reaction to all of these stories now -- TV shows and movies -- that play this kind of romantic, fantastical, sexy aspect of getting involved with monsters," Haimes said. "This is the dark, sinister version of what really happens when you decide you're going to get close to really bad things. That fantasy element is something I wanted to look at and play the exact opposite: the grim reality of bedding down with a monster." The creatures play diabolical mind games with people, including one that involves an elevator, hence the title.
Haimes, repped by WMA and Benderspink, was an executive at DreamWorks for more than 13 years until the studio split from parent Paramount last year. While there, he developed such thrillers as "Collateral," "Red Eye" and "Disturbia" for the studio as well as "Hotel for Dogs" and "Transformers."
This is Haimes' first screenplay. He is finishing a second spec called "Jitters," a family film he describes as in the "traditional Amblin" mold.
"It's a totally different muscle," Haimes said of segueing from the studio creative side to original storytelling. "It's like Dave Grohl playing drums for Nirvana and then taking on a different instrument in the Foo Fighters."
Source: HR
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