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Showing posts with label Coen. Show all posts
Showing posts with label Coen. Show all posts

Thursday, 30 July 2009

A Serious Man - Trailer for The Coen Brothers new film


A Serious Man is the story of an ordinary man's search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV. It is 1967, and Larry Gopnik (Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous colleagues, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry. Larry's unemployable brother Arthur (Richard Kind) is sleeping on the couch, his son Danny (Aaron Wolf) is a discipline problem and a shirker at Hebrew school, and his daughter Sarah (Jessica McManus) is filching money from his wallet in order to save up for a nose job. While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry's chances for tenure at the university. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation. Plus, the beautiful woman next door torments him by sunbathing nude. Struggling for equilibrium, Larry seeks advice from three different rabbis. Can anyone help him cope with his afflictions and become a righteous person – a mensch – a serious man?


Source: First Showing

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Saturday, 4 July 2009

The Big Lebowski - The short version

A great film with a whole lot of swearing. Funny.

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Thursday, 2 July 2009

Harve Presnell has passed away

Another day, another death. What a sad time it has been for celebrity deaths. Even Jeff Goldblum, although he got better.

Harve Presnell, whose booming baritone graced such Broadway musicals as "The Unsinkable Molly Brown" and "Annie," has died at age 75.

The actor died Tuesday of pancreatic cancer at St. John's Health Center in Santa Monica, Calif., said Gregg Klein, Presnell's agent.

Although he was best known for his roles in musical theater, Presnell also is remembered as William H. Macy's father-in-law in the Coen brothers' 1996 film Fargo.

Among his other movies were "When the Boys Meet the Girls" (1965), "The Glory Guys" (1965) and "Paint Your Wagon" (1969) as well as the TV series "The Pretender" (1997-2000).

Yet it was in "The Unsinkable Molly Brown" (1960) that the rugged, 6-foot-4 Presnell was first noticed by Broadway audiences. In the Meredith Willson musical, he played lucky mining prospector "Leadville" Johnny Brown opposite Tammy Grimes' feisty Molly. Presnell repeated his role in the 1964 film version which starred Debbie Reynolds as the buoyant title character.

Presnell even played the dashing Rhett Butler in a musical version of "Gone with the Wind" (adapted by Horton Foote and with a score by Harold Rome) that was seen in London in 1972.

For a good part of his career, Presnell portrayed the wealthy, follicle-challenged Daddy Warbucks in various incarnations of "Annie." The actor was first offered the role in a tour of "Annie" and thought the title was a show business abbreviation for "Annie, Get Your Gun," the musical in which he had once played sharpshooter Frank Butler.

Then he attended "Annie" and saw a bald, older man instead of a dashing, romantic lead.

It was a big shock, he told The Associated Press in an interview in 1993: "I thought, `What's this? I'm a leading man!'"

But the reality was good for him, Presnell said, adding: "It was a question of saying, `I'm no longer Frank Butler or Rhett Butler or 'Leadville' Johnny Brown. And they were paying good money."

After Presnell did the two-year "Annie" tour (1979-81) he went into "Annie" on Broadway and was still Daddy Warbucks on closing night, Jan. 2, 1983, in New York. In 1990, he played Warbucks in "Annie 2: Miss Hannigan's Revenge," the ill-fated sequel to "Annie" that folded during its Washington tryout and never got to New York.

Another version, titled "Annie Warbucks," surfaced off-Broadway in 1993 for a four-month run with Presnell again portraying Annie's wealthy benefactor.

The actor was born George Harvey Presnell on Sept. 14, 1933, in Modesto, Calif. He went to the University of Southern California on a sports scholarship. After three weeks, the head of the music school heard him sing and offered him the same scholarship for music. He soon quit school and spent three seasons singing in Europe. And it was in Berlin that Willson, the composer of "Molly Brown," first heard him sing.

Source: Yahoo

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Tuesday, 23 June 2009

Blood Simple to be remade by Zhang Yimou

Zhang Yimou (Red Sorghum,To Live, Ju Dou, Hero, House of Flying Daggers and Curse of the Golden Flower) has started shooting a remake of the Coen brothers' debut, Blood Simple, the director's first film since designing the opening and closing ceremonies of the Beijing Olympics last year according to THR.

Filming began on 9th June for San Qiang Pai An Jing Qi or The Stunning Case of the Three Gun Shots.

The thriller-comedy, which will be released late this year, stars Chinese actor Sun Honglei, comedian Xiao Shenyang and actress Yan Ni, Ping said.

No official details of the plot for the new film have been released. However, Blood Simple is about a Texas bar owner who hires a private detective to kill his wife and her lover. The 1984 movie starring Frances McDormand won the Grand Jury Prize for best film at the United States Film Festival, the predecessor to the Sundance Film Festival, helping establish Joel and Ethan Coen's reputations.

Blood Simple is a great film and Yimou's films always look stunning so it should hopefully be a good film. However, while I enjoy Yimou's vision as a filmmaker the films themselves often leave me cold. There always seems an emptiness to the story and characters, but that's just me.

How do you feel about a Yimou helmed remake of a Coen Brothers classic?

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Thursday, 11 June 2009

The Big Lebowski Last Supper

He truly is The Dude.

Source: Next Round

Discuss in the forum or leave a comment below.

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Monday, 23 March 2009

The Coen Brothers have True Grit

Joel and Ethan Coen plan to remake the iconic Western True Grit, which earned John Wayne an Oscar in 1969.

According to Variety, the Paramount remake will not be as faithful to the film as to the Charles Portis book that the film was based on.

Portis' novel is about a 14-year-old girl who, along with an aging U.S. marshal and another lawman, tracks her father's killer in hostile Indian territory.

But while the original film was a showcase for Wayne, the Coens' version will tell the tale from the girl's point of view

The film will be their first period film. The project reteams the brothers with Scott Rudin, their partner on the Oscar-winning No Country for Old Men. The Coens wrote the screenplay.

The original starred Kim Darby as the teen, Wayne and Glen Campbell as the lawmen, Jeff Corey as the killer and featured Robert Duvall and Dennis Hopper as fellow outlaws.

"True Grit" originated at DreamWorks when that company was Par-based, but it was one of the projects that Stacey Snider and Steven Spielberg left behind since the original is part of the Paramount film library. Former DreamWorks prexy Adam Goodman, now a Par exec, is steering the project for the studio.

The Western steps in front of another novel adaptation the Coens have with Rudin: "The Yiddish Policemen's Union," based on the Michael Chabon novel and set up at Columbia.

The Coens just completed "A Serious Man," which they scripted, for Focus Features and Working Title.

No production date has been set.

Leave a comment on this post below.

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Tuesday, 15 July 2008

No Country for Old Men, 2008 - Review


Director: The Coen Brothers
Starring: Josh Brolin, Javier Bardem, Tommy Lee Jones, Woody Harrelson, Kelly Macdonald
Running Time: 122 minutes

Here is another great review from Steven.

Let me start by saying that No Country for Old Men is not your typical movie. It is not your typical thriller and it’s not your typical plot setup. Nothing can prepare you for its onslaught of biting reality, in a world where people do get fucked over by the bad guy, in a world where nothing is sacred. It’s a vast, reaching masterpiece by the acclaimed Coen Brothers, (Fargo, The Big Lebowski), and it is by far not only their most mature work, but it will be their masterpiece for all other films to look up to and aspire on all paradigms. Not only on the dramatic level, but No Country breaks ground in cinematography, characterization, sound and storytelling. You have never seen a film quite like it, and you probably never will until you take the plunge into No Country for Old Men.

No Country for Old Men is the twelfth effort from Joel and Ethan Coen, directors of The Big Lebowski, Fargo, and Barton Fink. They’ve adapted the novel by the same name into a film that breaks all boundaries. If you’ve read the book you’ll be happy to hear that it follows almost to the letter, exactly what occurs within. The first thing that No Country does right is that it’s a faithful adaptation, something several films strive for.

The movie is about Llewelyn Moss, Sherriff Ed Tom Bell, and Anton Chigurh, three characters with different agendas, who are all after something different. The film starts with Llewelyn, a Texan Vietnam vet who lives his life like any Texan does. It begins with him finding a stockpile of cash from a heroin deal gone wrong. He takes the cash and runs, with Anton Chigurh a hired hitman from hell, crawls out and seeks to take what is rightfully his. Ed Tom Bell is the catch-up, he attempts to figure everything out before it’s far too late.

The movie isn’t about what happens, it’s about why it happens, it’s about things deeper than the surface. In order to enjoy this movie you need to dig deeper than the surface of things and think about why which characters made the wrong and right decisions. It’s not something you can simply follow casually and hope to understand, it’s a beast that challenges you as much as the on screen characters, and if you do, you will be rewarded for a message deeper than the general populace can comprehend. It’s expertly written and shot, it’s why it won the Best Director and Best Adapted Screenplay at this years Academy Awards.

The camerawork is superb, providing sweeping, gritty brutal shots of the American south-west in the 1980’s. There is very little music in this film, only about 12 minutes total for the 122 Minute run time, but what’s here is sound. Not “Bang” “Kazam!” but sounds like you would hear in the situation. A gunshot is heard shuddering throughout the neighborhoods, boots clod, metal clangs, and wood breaks with a nice crisp. The sound may seem like something that shouldn’t be given such a priority, but it helps build the tension and suspense that’s required for a story such as this.

Josh Brolin does a faithful job with Llewelyn, playing the American everyman who makes the choices that you might make given the circumstances. Tommy Lee Jones is a natural fit for Ed Tom Bell, and he does it with gusto. Sorry, but the real star of the show is Javier Bardem in his now iconic role as one of the most intimidating, ruthless, and now infamously parodied Movie Villains of All Time, Anton Chigurh. Anton is meant to be a figure for Death incarnate, his tone of voice, to the way he walks exhudes darkness. He is a sociopath that only believes in fate, and decides on the flip of a coin. His performance as Anton nailed him the first Acting Oscar given to someone from Spain, and with good reason. He is simply terrifying, everytime he appears you fear for your life, as well as the innocent animals, women, children, men and gods that are present in the room. He has a creed, but one that doesn’t allow him to kill on the level of other gung-ho icons of the past. He has a method; he uses it, and lives it to the finest degree.

Overall, No Country for Old Men is a stunning, visceral masterpiece, and if you don’t enjoy it than you may not be mature enough to embrace the world for what it is, because this should be the way films are made.

Sunday, 13 July 2008

Burn After Reading - New poster for the Coen's latest

Burn After Reading is both written and directed by Joel and Ethan Coen, the directing duo behind Fargo, The Big Lebowski, O Brother, Where Art Thou?, and most recently the Oscar winning No Country for Old Men. After debuting at the Venice International Film Festival, Focus Features will be releasing the film domestically in the US. Burn After Reading arrives in theaters on September 12th.

Friday, 11 July 2008

Lebowski Fest


July 11th & 12th is the 7th Annual Louisville Lebowski Fest where all things Lebowski are celebrated. So raise your white russian, ensure the rug is placed correctly and abide with the Dude. For those that are going enjoy it, unfortunately I'm stuck in a rainy UK so won't be able to make it.

Thursday, 10 July 2008

The Scottish Answer to Cannes

This sounds absolutely brilliant. I'm going to have to get baking. From The Guardian:

If you could imagine the opposite of Cannes, this would be it. A new film festival, which Oscar-winning actor Tilda Swinton is founding in her hometown of Nairn, north-east Scotland, is to have no red carpets, no ranks of paparazzi and no designer evening dresses. Entry to the films will cost you £3 or a tray of home-baked cakes; and the audience will sit on beanbags.

Needless to say, the festival will have its own kind of glamour. Aside from the presence of Swinton, Joel Coen, one half of the Coen brothers, will programme two evenings of films for the event. His choices are being kept secret at the moment but, according to co-organiser Mark Cousins: "They are as daft as a brush. If you went through 5,000 films, you would never guess them."


The idea for a festival on the Moray Firth came when Swinton, "on a quixotic whim", according to Cousins, decided to rent an old ballroom in the town, known as the Ballerina, where Pink Floyd and the Who once played.


She asked friends, including Cousins, a former director of the Edinburgh international film festival, to help. "We started making a list of films we wanted to show, and we clicked immediately," he said. "We were attracted to the wondrous, childlike qualities of certain films; films with highly coloured, dreamlike elements."


Though the programme has not been announced, the films of Powell and Pressburger are bound to be featured - "you can't talk to Tilda for more than half an hour without her mentioning Powell and Pressburger," said Cousins. "She started throwing out names and they were things like Margaret Rutherford as Miss Marple; and I suggested a lot of African and Iranian films. It won't be what you expect: we will show a Bjork video before All About Eve, for example. It's very irrational."


What will draw the programme together, he said, is a certain fantastic, expressionist, anti-realist aesthetic. Roman Polanski's The Fearless Vampire Killers will be shown and Federico Fellini's 8 1/2 will close the festival.


In contrast with more conventional film festivals, The Ballerina Ballroom Cinema of Dreams (as it is to be called) will not centre around premieres.
Part of the impetus behind the festival is Swinton's and Cousins' idea that "money dictates the festival circuit too much, and fogs the pure, romantic obsession with film".
The festival will run from August 15-23, and screen three films a day in the 200-seat (or beanbag) ballroom. Some tickets will be available in advance, but most will be sold on the day.
If the festival is successful, the organisers hope to make it an annual event. Aside
from a small grant, costs have been so far met by Swinton.