CHUD have a review of the first 22 minutes of Zack Snyder's
Watchmen film. It was shown at the recent Butt-Numb-A-Thon and was introduced by Jackie Earl Haley (Rorschach). All in all the film sounds as if it will be great and not just a load of bright lights, loud noises and quick cuts for the those with low attention spans.
CHUD says ,"It will look and feel like a real movie....The footage is stylish - well shot, with rich visuals and dynamic compositions - but it looked more like a modern take on a noir film than anything else. What I saw was moody, sometimes muted. Snyder allows his takes to be long, eschewing a quick cut style that many seem to think would rule the day in this film. The 22 minutes I saw didn't feel like an action film at all (except, of course, for the opening fight scene)"
They also gave a description of what they watched and, if you have read the graphic novel, it will give you a little shiver of excitement.
"The police stare out the broken window of the Comedian's apartment, discussing the crime. 30 stories below a figure holding a sign that reads "The End is Nigh" walks through the puddle of blood that is being sprayed off the sidewalk. The camera zooms away from the building, showing the alternate New York City of the story, filled with zeppelins and a huge Gunga Diner balloon.
Rorschach's narration begins, very faithful to the book. He rappels up the side of the building into the Comedian's apartment. Poking around, he discovers the Comedian's weapons cache and costume. The camera focuses in on a photo of The Minutemen, and then pulls out again, but this time the picture is hanging in Hollis Mason's apartment. We see other photos and newspaper headlines hanging on the wall, and a copy of Beneath the Hood, Mason's memoirs, on the table.
Mason is spinning stories of his days as the Nite Owl to Dan Dreiberg, the second Nite Owl. It's after midnight and Dan gets up to leave; they stop on the porch for a moment as rain falls outside and Hollis asks Dan if he ever misses the good old days. Dan says no, but it seems like he's lying. He leaves Hollis behind, and the camera lingers a moment on the sign for Hollis' auto body shop: Obsolete Models a Speciality. Much of the dialogue in this scene comes straight from the comic.
Dan walks home in the rain, and discovers that his front door has been kicked in. He walks into his brownstone cautiously, only to find Rorschach, mask up, eating cold canned beans at his kitchen table. When Rorschach tells him that the Comedian has been killed (the 'It's human bean juice' joke remains intact), they go down to the basement to talk more.
As Rorschach walks down the subway tunnel beneath Dan's house, Dan asks him whatever happened to the old days. "You quit," Rorschach responds. Dan sits before the display case of costumes and looks at the Comedian's blood-stained smiley face pin.
The film is packed with details. Every frame seems to have something that lends depth to the world or background to the characters; there were elements in the opening scene that I missed the first time around and only caught here. This is definitely a movie that will have a high replay value, both for the uninitiated and the hardcore fan.
All in all it is looking as if this is going to be a very faithful adaption and should hopefully surprise the movie going public who aren't usually into the comic book movies that have been released lately.
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The Keanu Reeves starrer “Passengers” (not the Anne Hathaway Patrick Wilson horror) is a sci-fi/romance pic that takes place in the future, as a spacecraft is transporting people to colonize a distant planet. Because of a malfunction, a single passenger (Reeves) is awakened 90 years before anyone else. Faced with the prospect of growing old and dying alone, he awakens a beautiful woman. 
