
Another great interview from Collider.
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"I'm the Dude. So that's what you call me. You know, that or, uh, His Dudeness, or uh, Duder, or El Duderino if you're not into the whole brevity thing."
One grew up in the cornfields of Iowa, fighting for his independence, for a way out of a life that promised only indifference, aimlessness, and obscurity.Starring John Cho, Ben Cross, Bruce Greenwood, Simon Pegg, Chris Pine, Zachary Quinto, Winona Ryder, Zoe Saldana, Karl Urban, Anton Yelchin, Eric Bana, Leonard Nimoy, Marlene Forte, Jimmy Bennett
The other grew up on the jagged cliffs of the harsh Vulcan desert, fighting for acceptance, for a way to reconcile the logic he was taught with the emotions he felt.
In the far reaches of the galaxy, a machine of war bursts into existence in a place and time it was never meant to be. On a mission of retribution of the destruction of his planet, its half-mad captain seeks the death of every intelligent being, and the annihilation of every civilized world.
Kirk and Spock, two completely different and unyielding personalities, must find a way to lead the only crew, aboard the only ship, that can stop him.
Star Trek’s time-travel plot is set in motion when a Federation starship, the USS Kelvin, is attacked by a vicious Romulan (Eric Bana) desperately seeking one of the film’s heroes. From there, the film then brings Kirk and Spock center stage and tracks the origins of their friendship and how they became officers aboard the Enterprise. In fact, the movie shows how the whole original series crew came together: McCoy (Karl Urban), Uhura (Zoë Saldana), Scotty (Simon Pegg), Sulu (John Cho), and Chekov (Anton Yelchin). The adventure stretches from Earth to Vulcan, and yes, it does find a way to have Nimoy appearing in scenes with at least one of the actors on our cover — and maybe both. The storytelling is newbie-friendly, but it slyly assimilates a wide range of Trek arcana, from doomed Captain Pike (Bruce Greenwood) to Sulu’s swordsmanship to classic lines like, ”I have been, and always shall be, your friend.” More ambitiously, the movie subversively plays with Trek lore — and those who know it. The opening sequence, for example, is an emotionally wrenching passage that culminates with a mythic climax sure to leave zealots howling ”Heresy!” But revisionism anxiety is the point. ”The movie,” Lindelof says, ”is about the act of changing what you know.”
What do you think of the plot?